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A Baroque orchestra is an ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. [1] Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic-era counterparts.
Concerto pour hautbois et orchestre ou piano, lettre C, ibid. Duo pour deux hautbois et orchestre ou piano , ibid. Mélodie anglaise variée, pour le hautbois et l’orchestre ou le piano, ibid. Quatrième concertino pour hautbois, Paris, Costallat; Adagio religioso, trio pour deux hautbois et cor anglais, Paris, Richault
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The work is composed of three movements: [2] Allegro spirituoso; Andante; Rondo: Allegretto; Full performances last about 22 minutes. [2]Charles-David Lehrer believed that the first movement of the concerto was similar to the oboe concertos of Johann Christian Fischer, Johann Christian Bach, and Carl Stamitz, also arguing that it was similar in structure to the Johann Stamitz and Carl Philipp ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
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The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.