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Robert James Sabuda (born March 8, 1965) is a children's pop-up book artist and paper engineer. His innovative designs have made him well known in the book arts, with The New York Times referring to Sabuda as "indisputably the king of pop-ups" in a 2003 article.
Robert Sabuda, pop-up book artist and paper engineer (born in Pinckney) Gary Schmidt, author of children's literature and young adult fiction (college professor in Grand Rapids) Jon Scieszka, author (born in Flint) Devin Scillian, author (broadcaster in Detroit) Philip C. Stead, author (born in Farmington Hills)
The Sibelius biographer Andrew Barnett notes that the Impromptu "opens in a tumultuous, scherzo-like mood" before slowing into a "brooding waltz" that in some ways anticipates Sibelius's most famous composition, Valse triste (Op. 44/1), an orchestral work that he arranged in 1904 from the incidental music to Death (Kuolema, JS 113, 1903). [5]
Reinhart is the co-creator with Sabuda of the New York Times best-selling three-volume pop-up series Encyclopedia Prehistorica. The team’s latest pop-up series is Encyclopedia Mythologica which leads off with Fairies and Magical Creatures (Candlewick, 2008). [ 2 ]
The following works are some of the most universally respected and established cornerstones of the band repertoire. All have "stood the test of time" through decades of regular performance, and many, either through an innovative use of the medium or by the fame of their composer, helped establish the wind band as a legitimate, serious performing ensemble.
Robert Sabuda, illustrator; Bernard Safran, painter and illustrator known for magazine covers; Sam Savitt, illustrator and writer, official artist of U.S. Equestrian Team; Helen Sewell, illustrator and writer; Rob Sheridan, graphic designer; Pamela Colman Smith, illustrator of the Rider–Waite tarot deck; Louis Silverstein, graphic designer
The most famous example of this is the BACH motif, which has been used by over 400 composers [1] in tribute to Johann Sebastian Bach (Bach himself used it more than once in his own works). Other examples include: Ravel's Menuet sur le nom d'Haydn
The pieces also reflect Schumann's longstanding interest in folk music, especially music from Germany and Bohemia. The dedicatee of the work, Andreas Grabau, was a cellist in the Leipzig Gewandhaus Orchestra and a celebrated chamber musician. He had met Clara Schumann in 1828, when she was nine years old, and was introduced soon after to Robert.