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George Schaefer (November 5, 1888, Brooklyn, New York – August 8, 1981) was an American movie producer and business executive. Schaefer joined Paramount Pictures in 1920 and became general manager in 1933. [1] He became vice president and chief executive officer at United Artists and was then hired as president of RKO in 1938.
He departed RKO in December 1939 after policy clashes with studio president George J. Schaefer, handpicked the previous year by the Rockefellers and backed by Sarnoff. [98] With Berman gone, Schaefer became in effect production chief, though other men—including the former head of the industry censorship board , Joseph I. Breen—nominally ...
RKO 281 is a 1999 American historical drama television film directed by Benjamin Ross, ... In 1940, Orson Welles, RKO studio head George Schaefer, ...
In the new contract Welles was an employee of the studio [5] and lost the right to final cut, which later allowed RKO to modify and re-cut The Magnificent Ambersons over his objections. [2]: 223 In June 1942, Schaefer resigned the presidency of RKO Pictures and Welles's contract was terminated by his successor. [6]
[7]: 102 The title was contributed by RKO studio chief George Schaefer, [4]: 82 who was concerned that calling the film American would seem cynical and identify too closely with Hearst, whose newspapers included the American Weekly and the New York Journal-American.
Whereas studio head George Schaefer had given Welles carte blanche over Kane, he closely supervised Ambersons, sensing that his own position was in danger (which indeed it was - Schaefer was fired as head of RKO shortly after Ambersons was completed, and a commonly-attributed reason was for his having hired Welles with such a generous contract ...
The George A. Schaefer, Jr. Stock Index From January 2008 to December 2012, if you bought shares in companies when George A. Schaefer, Jr. joined the board, and sold them when he left, you would have a -30.6 percent return on your investment, compared to a -2.8 percent return from the S&P 500.
On the warpath, Parsons then demanded a private screening of the film and threatened RKO chief George Schaefer on Hearst's behalf, first with a lawsuit and then with a vague but powerful threat of consequences for everyone in Hollywood. On January 10, Parsons and two lawyers working for Hearst were given a private screening of the film.