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The Sculptural Ensemble of Constantin Brâncuși at Târgu Jiu (Romanian: Ansamblul sculptural Constantin Brâncuși de la Târgu-Jiu) is an homage to the Romanian heroes of the First World War. The ensemble comprises three sculptures: The Table of Silence ( Masa tăcerii ), The Gate of the Kiss ( Poarta sărutului ), and the Infinity Column ...
Brancusi's Bird in Space sculptures inspired the Modernist poet, Ezra Pound, specifically his late Cantos which were written in the mid-twentieth century. The literary critic Lucy Jeffery highlights ways in which Brancusi's sculptural form influenced Ezra Pound, analysing Pound's Canto CXVII et seq., 815. Through close textual analysis and with ...
Sculptures by Constantin Brâncuși (1876−1957) — the influential Romanian−French pioneer of Modernist sculptor Pages in category "Sculptures by Constantin ...
UNESCO added a series of outdoor sculptures by Romanian modernist master Constantin Brancusi to its list of world heritage sites on Saturday, celebrating their place as one of the most notable ...
Bird in Space (L'Oiseau dans l'espace) is a series of sculptures by Romanian sculptor Constantin Brâncuși. The original work was created in 1923 and made of marble. [1] This sculpture is also known for containing seven marble figures and nine bronze casts. [2] Brancusi created the piece over 14 times and in several mediums over a period of 20 ...
The Sleeping Muse (Romanian: Muza adormită or Muză dormind) is a bronze sculpture created by Constantin Brâncuși in 1910. It was originally carved from marble using Baroness Renée-Irana Frachon as the model. [1]
The Kiss (in Romanian: Sărutul /səruːtul/) is a sculpture by Romanian Modernist sculptor Constantin Brâncuși. It is an early example of his proto-cubist style of non-literal representation. This sculpture is considered the first modern sculpture of the twentieth century.
Torso of a Young Man is a sculpture created by Constantin Brâncuși between 1917 and 1922. It depicts the male torso as a simple cylinder mounted on vestigial cylindrical legs, cut off at mid-thigh. [1] Sidney Geist has pointed out that the sculpture, without genitalia, is itself a phallus with testes. [2]