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Since arriving in Singapore, approximately 360,000 man hours were invested in re-designing, re-fitting and certifying the Royal Albatross to operate commercially in Singapore and beyond. Her current specifications features 22 sails, 650 square meters of canvas, and over 60,000 RGB lights.
Although the dolls had foam wings to prevent injury, more than 100 injuries were reported, ranging from temporary blindness to facial lacerations requiring stitches. Galoob, the manufacturer of the toys, recalled them in June 2000 after less than six years on the market; nearly 10,000,000 were recalled.
75' motor launch built in Singapore by Thornycroft in 1937 and sunk in 1942 [26] 90' motorized fishing vessel built in England for RN c. 1944 and delivered 1948. Retired as wooden hull rotting out. [27] 117' built by United Engineering Limited of Singapore c. 1956; P68 retired in 1991. [28] RSS Bedok - Police patrol craft taken over by SNV in 1966
A tube man, also known as a skydancer, air dancer, inflatable man and originally called the Tall Boy, is an inflatable stick figure comprising sections of fabric tubing attached to a fan. As the fan blows air through it, the tubing moves in a dynamic dancing or flailing motion.
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Party Monsters Cabo is a reality TV show airing on E!. The show involves party planners competing at the LG Villa in Cabo to see who can throw the "ultimate party" for Hollywood's A-Listers to win a contract with LG for their parties. The show is hosted by Brian Worley and Michele Merkin.
The Singapore Cable Car is a gondola lift in Singapore, providing an aerial link from Mount Faber (Faber Peak Singapore) on Singapore Island to the resort island of Sentosa across the Keppel Harbour. Opened on 15 February 1974, it was the second aerial ropeway system in the world to span a harbour , after Port Vell Aerial Tramway in Barcelona ...
In all three plans, it is clear that the shared goal is to groom Singapore to become a global city for the arts. While there is no goal specifically for the dance scene in Singapore, the development of arts education, investment and facilities all support the growth of the dance scene.