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[7]: 2 For this purpose, Kodály composed thousands of songs and sight-singing exercises, making up sixteen educational publications, six of which contain multiple volumes of over one hundred exercises each. [4]: 69 Kodály’s complete pedagogical works are published collectively by Boosey & Hawkes as The Kodály Choral Method. [12]
The process is similar to twelve-tone ear training, but with many more intervals to distinguish. Aspects of microtonal ear training are covered in Harmonic Experience, by W. A. Mathieu, with sight-singing exercises, such as singing over a drone, to learn to recognize just intonation intervals. There are also software projects underway or ...
It is suggested that students use solfege or numbering systems or fingering without instruments as aids. 8th graders are expected to sing by sight: "Students are asked to perform a sight-singing exercise of four measures of music. Students will be assessed on their understanding of rhythm and steady beat and their ability to perform in the ...
Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Anna Glover (1786–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems.
Numerical sight singing is not the same as integer notation derived from musical set theory and used primarily for sight singing atonal music. Nor is it the same as " count singing ", a technique popularized by Robert Shaw in which the numbers sung represent the rhythms of a piece in accordance with the beat of a measure.
Sight Singing through Song from Staff Notation (1921) The Cornish Song Book: Pt. 1. London: Reid Bros; reprinted (1974) The Cornish Song Book: Pt. 2 reprinted (1974) Hereafter Summer and Others; Exercises in Voice-Production and Enunciation for Speakers and Readers; Music to Shakespeare's Plays. Selected and arranged for the use of schools and ...
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Lang returned to Clifton as assistant music master in 1921. [5] [6] His works from this period include the secular cantata Lochinvar (Op. 7, 1927), [7] Two Hundred Tunes for Sight-Singing (1928) based on his teaching experience, [8] and a variety of arrangements and new works created so the entire school congregation could join the choir and organ in psalms and canticles.
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