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The vajra and bell are used in many rites by a lama or any Vajrayana practitioner of sadhana. The vajra is a male polysemic symbol that represents many things for the tantrika. The vajra is representative of upaya (skilful means) whereas its companion tool, the bell which is a female symbol, denotes prajna (wisdom). [19]
Dorje is the Tibetan equivalent of the Sanskrit vajra and therefore the term appears frequently in Tibetan terminology relating to Vajrayana Buddhism. [2] A Dorje Lopön is usually well educated and trained in tantric practice, and is therefore a well respected figure. [3] They might be the heads of monasteries or spiritual communities.
Vajrasattva is an important figure in the tantric Buddhism of the Newar People of the Kathmandu Valley. He represents the ideal guru, and he is frequently invoked in the guru maṇḍala, the foundational ritual for all other Newar Buddhist rituals and the daily pūjā for Newar priests (vajrācārya s).
The female tulku who was the abbess of Samding Monastery, on the shores of the Yamdrok Tso Lake, near Gyantse, Tibet was traditionally a nirmāṇakāya emanation of Vajravārāhī (Tibetan: Dorje Phagmo). [20] The lineage started in the 15th century with the princess of Gungthang, Chökyi Drönma (Wylie: Chos-kyi sgron-me)(1422–1455). [21]
རྡོ་རྗེ་ཐེག་པ་, dorje tekpa, Wyl. rdo rje theg pa) and Secret mantra (Skt. Guhyamantra, Tib. གསང་སྔགས་, sang ngak, Wyl. gsang sngags). The vajra is a mythical weapon associated with Indra that was said to be indestructible and unbreakable (like a diamond) and extremely powerful (like thunder). Thus ...
Various forms of these songs exist, including caryagiti (Sanskrit: caryāgīti), or 'performance songs' and vajragiti (Sanskrit: vajragīti, Tibetan: rDo-rje gan-sung), or 'diamond songs', sometimes translated as vajra songs and doha (Sanskrit: dohā, दोह, 'that which results from milking the cow'), also called doha songs, distinguishing ...
The phurbas of the gubajus are different from those of the jhankris. As a rule, they have only one head on which there is a double vajra as shown here. Gubajus focus on the head as a mirror image of themselves in order to meditatively connect with the power of the phurba.
Vajrakilaya is commonly represented with three faces of different colors in a crown of skulls. The central face is blue, the left is red and the right is white. He also has six arms: two holds the phurba, two hold one vajra each, one holds a flaming snare, and one a trident. He crushes under his feet demons representing the obstacles to ...