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Imogen (also spelled Innogen) is the daughter of King Cymbeline in Shakespeare's play Cymbeline. She was described by William Hazlitt as "perhaps the most tender and the most artless " of all Shakespeare's women .
Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Samuel Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic August Wilhelm Schlegel, and, with the work of Samuel Taylor Coleridge, paved the way for the increased appreciation of Shakespeare's ...
J. Dover Wilson, in his notes in the New Shakespeare edition, observed that the Folio text "involves two grave difficulties", namely that according to Elizabethan thought angels could apprehend but not act, making "in action how like an angel" nonsensical, and that "express" (which as an adjective means "direct and purposive") makes sense ...
Imogen in her bedchamber in Act II, scene ii, when Iachimo witnesses the mole under her breast. Painting by Wilhelm Ferdinand Souchon, 1872. Cymbeline (/ ˈ s ɪ m b ɪ l iː n /), also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain (c. 10–14 AD) [a] and based on legends that formed part of the Matter of Britain ...
The comparison of the world to a stage and people to actors long predated Shakespeare. Richard Edwards' play Damon and Pythias, written in the year Shakespeare was born, contains the lines, "Pythagoras said that this world was like a stage / Whereon many play their parts; the lookers-on, the sage". [2]
The Norton Shakespeare annotates "and keep invention in a noted weed" thus: And keep literary creativity in such familiar clothing. The Oxford English Dictionary's definition of weed is "an article of apparel; a garment", and is consistent with the theme of mending, re-using, etc. ("all my best is dressing old words new"). [8]
Sprezzatura ([sprettsaˈtuːra]) is an Italian word that refers to a kind of effortless grace, the art of making something difficult look easy, or maintaining a nonchalant demeanor while performing complex tasks.
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.