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Bombshell centers around Marilyn Monroe, Joe DiMaggio, and Kennedy. A soundtrack featuring the music from the musical was released in 2013. [3] The songs were featured in a one-night charity concert, and the show was being adapted for an actual stage musical.
Heather Phares of Allmusic described the album release as "a smart move", arguing that the original songs written for the in-universe Marilyn Monroe musical of the same name "were among the most vibrant [on the show], capturing the passion that fuels staging a Broadway show".
It contains all 22 songs written for the fictional Bombshell musical and features lead vocals by Katharine McPhee (Karen Cartwright) and Megan Hilty (Ivy Lynn) as Marilyn Monroe. [64] In addition to songs by Marc Shaiman and Scott Wittman, the show's second season featured songs by up-and-coming composers Drew Gasparini, Joe Iconis, and writing ...
It was written by Marc Shaiman and Scott Wittman, [1] but in the show's fictional universe, it was written by the songwriting team of Tom Levitt (Christian Borle) and Julia Houston (Debra Messing) for their Marilyn Monroe musical Bombshell.
"The 20th Century Fox Mambo" is an original song introduced in the second episode of the first season of the musical TV series Smash, entitled "The Callback".It was written by Marc Shaiman and Scott Wittman, but in the show's universe, it was written by songwriting team Tom Levitt (Christian Borle) and Julia Houston (Debra Messing) for their Marilyn Monroe musical Bombshell.
"Let Me Be Your Star" is an original song introduced in the first episode of the first season of the musical TV series Smash, entitled "Pilot". It was written by Marc Shaiman and Scott Wittman, [1] but in the show's universe, it was written by songwriting duo Tom Levitt (Christian Borle) and Julia Houston (Debra Messing) for the Marilyn Monroe musical they are working on, Bombshell.
Monroe wore the famous white dress in the 1955 film The Seven Year Itch, directed by Billy Wilder.The scene was filmed early in the morning on Sept. 15, 1954, on the corner of Lexington Avenue and ...
In "Publicity," the song is written after the newly appointed Marilyn, Rebecca Duvall (Uma Thurman), requests some script changes.The song is performed by Marilyn Monroe's "shadow selves," the voices that she hears inside her head (which are given much larger roles so the movie star but bad singer Rebecca Duvall doesn't have to sing as many songs). [2]