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Richard E. Roeper (born October 17, 1959) [1] is an American columnist and film critic for the Chicago Sun-Times. He co-hosted the television series At the Movies with Roger Ebert from 2000 to 2008, serving as the late Gene Siskel's successor. [2] [3] From 2010 to 2014, he co-hosted The Roe and Roeper Show with Roe Conn on WLS-AM. [4]
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
Its original hosts were Roger Ebert and Gene Siskel, the former hosts of Sneak Previews on PBS (1975–1982) and a similarly titled syndicated series (1982–1986). [1] After Siskel died in 1999, [2] Ebert worked with various guest critics until choosing Chicago Sun-Times colleague Richard Roeper as his regular partner in 2000. [3]
Roger Ebert, film critic for the Chicago Sun-Times for nearly half a century, and a game-changing television presenter, died Thursday at the age of 70. Ebert had been in ill health for some time.
Roger Ebert gave the film four out of four stars, and described it as "a wonderful movie precisely because it's so willing to deal with matters of the heart...it takes chances, takes the time to know and develop its characters, and by the time this movie's wonderful last scene comes along, we know exactly what's happening, and why, and it makes ...
At the Movies (1982 TV program), an American program, originally known as At the Movies with Gene Siskel and Roger Ebert. At the Movies (1986 TV program), a successor/competitor program (1986–2010) to the original, which was also known as Siskel & Ebert & the Movies; Ebert Presents: At the Movies, a successor program (2011)
Here’s a suicidal hypothetical only a horror director would think of: What if the moment a deeply troubled young woman (Kelsey Asbille) was about to throw herself off a cliff, a serial killer ...
Roger Ebert of The Chicago Sun Times rated the film as the best of 2009, writing, "The Hurt Locker is a great film, an intelligent film, a film shot clearly so that we know exactly who everybody is and where they are and what they're doing and why." He applauded how the suspense was built, calling the film "spellbinding".