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James E. Snyder (1928–1990) was an American art historian, specializing in Northern Renaissance art.His Northern Renaissance Art of 1985 was a standard textbook on the subject for several decades, with a posthumous revised edition in 2005, revised by Larry Silver and Henry Luttikhuizen, [1] [2] being somewhat replaced by Jeffrey Chipps Smith's The Northern Renaissance of 2004. [3]
The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps.From the last years of the 15th century, its Renaissance spread around Europe. Called the Northern Renaissance because it occurred north of the Italian Renaissance, this period became the German, French, English, Low Countries and Polish Renaissances, and in turn created other national and localized ...
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
Early Netherlandish Painting: Its Origins and Character is a 1953 book on art history by Erwin Panofsky, derived from the 1947–48 Charles Eliot Norton Lectures.The book had a wide impact [2] on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general.
The first volume was published in 1924, and the series ran until 1937. It was the first comprehensive modern art-historical survey of Early Netherlandish painting, [1] a term often used in art history to describe artists of the Low Countries during the 15th- and 16th-century Northern Renaissance.
The Hunters in the Snow (Dutch: Jagers in de Sneeuw), also known as The Return of the Hunters, is a 1565 oil-on-wood painting by Pieter Bruegel the Elder.The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year.
Craig S. Harbison (April 19, 1944 – May 17, 2018) [1] was an American art historian specialising in 15th and 16th-century Flemish and Northern Renaissance painting. He was Professor Emeritus of Art History at the University of Massachusetts Amherst.
Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
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