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  2. Gyotaku - Wikipedia

    en.wikipedia.org/wiki/Gyotaku

    The initial dark print was used as a work copy or proof print. The subsequent prints, with fainter traces of ink, were hand colored to more closely resemble the appearance of the real subjects. This methodology is generally applicable to making a print from a fish. They also used wood and carved images into that.

  3. Nishiki-e - Wikipedia

    en.wikipedia.org/wiki/Nishiki-e

    Previously, most prints had been in black-and-white, coloured by hand, or coloured with the addition of one or two colour ink blocks. A nishiki-e print is created by carving a separate woodblock for every colour, and using them in a stepwise fashion. An engraver by the name of Kinroku is credited with the technical innovations that allowed so ...

  4. Untitled Film Stills - Wikipedia

    en.wikipedia.org/wiki/Untitled_Film_Stills

    All of the images are untitled, as Sherman wanted to preserve their ambiguity. [4] The numbers affiliated with individual works of art are assigned by her gallery, mainly as a cataloguing system. [5] In December 1995, the Museum of Modern Art (MOMA) acquired all sixty-nine black-and-white photographs in the series. [2]

  5. Woodblock printing - Wikipedia

    en.wikipedia.org/wiki/Woodblock_printing

    Woodblock prints allowed two mirror images to be easily replicated on a single sheet. Thus two pages were printed on a sheet, which was then folded inwards. The sheets were then pasted together at the fold to make a codex with alternate openings of printed and blank pairs of pages.

  6. Woodcut - Wikipedia

    en.wikipedia.org/wiki/Woodcut

    The art historian Gunnar Jungmarker (1902–1983) at Stockholm's Nationalmuseum called this technique "grisaille woodcut". It is a time-consuming printing process, exclusively for hand printing, with several grey-wood blocks aside from the black-and-white key block. [15]

  7. Wood engraving - Wikipedia

    en.wikipedia.org/wiki/Wood_engraving

    Though not, as frequently asserted, the inventor of wood-engraving, he was the first to recognise that, as the incisions made by the graver on the wood block printed white, the right use of the medium was to base his designs as much as possible on white lines and areas, and so he became the first to use his graver as a drawing instrument and to ...

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