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Tortoise" or "Ikaki" is the most commonly produced motif and pattern.The main motif, ikaki, imagined as a tortoise here, is based on Ijebu Yoruba prestige cloth, Aso-olona. [8] Traditionally, it was created solely for royalty; [ 12 ] anyone who wore Ikaki that was not royal would be sold into slavery.
Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
Textile weaving boasts a variety of motifs, such as guilloche interlace, which embroidery artists employed along with color, line and texture to yield varied compositions and visual effects. The embroidery design is chosen by the female head of the clan, and she assigns different blocks to women based on their skill level.
African textiles can be used as historical documents. [31] cloth can be used to commemorate a certain person, event, and even a political cause. Much of the history conveyed had more to do with how others impacted the African people, rather than about the African people themselves.
At the head of the Almohad period, there was a decline in luxury textiles used for dress due to the Islamic principle of partaking in a simpler style of clothing preferred by the rulers. [8] However, outside of the empire, luxury textiles and silks created in this region were still being adorned popularly across cultural and religious boundaries.
African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
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