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Christof Thoenes observes: "However unabashedly Raphael adopts the pose, compositional framework and spatial organization of the Leonardo portrait...the cool watchfulness in the young woman's gaze is very different" from the "enigmatic ambiguity" of Mona Lisa. [2] The work was of uncertain attribution until recent times.
Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175. [2]
The subject matter and size of the painting, little larger than a Book of Hours, might suggest that it may have been intended as a portable aid to prayer.Although Raphael almost exclusively worked for one Ducal family in these years the identity of its original patron is currently officially supposed unknown, although a probably forged inventory from the 1850s suggests that it was commissioned ...
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino. The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences.
The Madonna is shown young and beautiful, as with Raphael's various other Madonnas. [5] She is also clothed in red and blue, also typical, for red signifies the Passion of Christ and blue was used to signify the church. Christ and John are still very young, only babies. John holds a goldfinch in his hand, and Christ is reaching out to touch it.
Raphael's study for what became the Alba Madonna, with other sketches, Palais des Beaux-Arts de Lille During World War II the Alba Madonna was part of a group of over 100 pieces of art belonging to the National Gallery of Art that were transported by train to Asheville, North Carolina , where they were stored in the unfinished music room of the ...
The image depicts three of the Graces of classical mythology. It is frequently asserted that Raphael was inspired in his painting by a ruined Roman marble statue displayed in the Piccolomini Library of the Siena Cathedral—19th-century art historian [Dan K] held that it was a not very skillful copy of that original—but other inspiration is possible, as the subject was a popular one in Italy.