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  2. Thomas Hewitt Jones - Wikipedia

    en.wikipedia.org/wiki/Thomas_Hewitt_Jones

    Thomas Hewitt Jones was born in 1984 [6] in Dulwich, South London, into a musical family; his parents are both musicians and his paternal grandparents were both composers. Educated at Dulwich College , he went on to be the organ scholar at Gonville and Caius College, Cambridge . [ 7 ]

  3. Piano solo - Wikipedia

    en.wikipedia.org/wiki/Piano_solo

    The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.

  4. List of variations on Pachelbel's Canon - Wikipedia

    en.wikipedia.org/wiki/List_of_variations_on...

    Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]

  5. Blind Tom Wiggins - Wikipedia

    en.wikipedia.org/wiki/Blind_Tom_Wiggins

    The headstone at his grave reads "Thomas Greene Wiggins". [6] Because Tom was blind, he could not perform work normally demanded of slaves. Instead, he was left to play and explore the Bethune plantation. At an early age, Tom showed an interest in the piano after hearing the instrument played by Bethune's daughters.

  6. You Gave Me Love (When Nobody Gave Me a Prayer) - Wikipedia

    en.wikipedia.org/wiki/You_Gave_Me_Love_(When...

    The Best of B.J. Thomas (1980) You Gave Me Love (When Nobody Gave Me a Prayer) is the twenty-first studio album and third gospel album by American singer B. J. Thomas , released in 1979.

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

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