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After studying and graduating from the Madrid Conservatory, he returned to the Philippines and pursued a career in music. In Manila and Cebu, he conducted several orchestras. In Manila, he had a teaching career as a piano instructor. He spends his time studying history, visiting different Filipino provinces and exploring the local folk music.
King's early compositions include a Piano Sonata in F-sharp minor (1924), [10] two books of preludes (op. 5 and op. 7) and a Violin Sonata. But he became best known for the many light music genre pieces he wrote for piano with titles like Passing Clouds, Polka Piquante and Where Water Lilies Dream.
The "Night King", as presented in the show, has not appeared in A Song of Ice and Fire.In the novels, the title "Night's King" is given to the long-ago legendary 13th Lord Commander of the Night's Watch (generations after the Long Night), who supposedly married a female White Walker and led the Night's Watch to commit atrocities. [4]
Alice ("There's a New Girl in Town") – (music by David Shire) (lyrics by Alan and Marilyn Bergman) (sung by Linda Lavin) Alien Nation – Kenneth Johnson and David Kurtz; Aliens in the Family – Todd Rundgren; All at No. 20 – Denis King; All Creatures Great and Small – ("Piano Parchment") by Johnny Pearson; Allegra's Window – Dan ...
How Now for ensemble (also for piano, 1968) Music in Fifths (1969) Music in Similar Motion (1969) Music with Changing Parts (1970, recorded 1973) Music in Twelve Parts (1971–1974) Another Look at Harmony, Parts 1 and 2 (1975) North Star (1977) Dance (Dance 1, 3 and 5, 1979, with Lucinda Childs and Sol LeWitt) Glassworks (1981)
King by the railroad tracks in Grabill, Indiana, in the US. Matthew King (born 1967) is a British composer, pianist, and educator.His works include opera, piano and chamber music, and choral and orchestral pieces.
Night Fantasies is a 1980 composition for piano by the American composer Elliott Carter. The work was commissioned by the pianists Charles Rosen , Paul Jacobs , Gilbert Kalish , and Ursula Oppens , all to whom the work is dedicated.
The piano part develops from free composition (movement 1) to following the orchestra using a parallel chart (movement 2) and then to sharing the same chart with the orchestra (movement 3). Piano preparation in the Concerto is rather complex and involves, among other things, a moveable plastic bridge that makes possible microtonal effects. [42]
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