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In rhetoric, chiasmus (/ k aɪ ˈ æ z m ə s / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα chiásma, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words".
Oral literature is especially rich in chiastic structure, possibly as an aid to memorization and oral performance. In Homer's Iliad and Odyssey, for instance, Cedric Whitman finds chiastic patterns "of the most amazing virtuosity" that simultaneously perform both aesthetic and mnemonic functions, permitting the oral poet easily to recall the basic structure of the composition during ...
In neuroanatomy, the optic chiasm, or optic chiasma (/ ɒ p t ɪ k k aɪ æ z əm /; from Greek χίασμα 'crossing', from Ancient Greek χιάζω 'to mark with an X'), is the part of the brain where the optic nerves cross.
The optic tract of various clades of insects shows two chiasms, the first and second optic chiasm. [2] In contrast to those in vertebrates, the insect chiasms do not cross the body midline. Rather, the first and second chiasm invert the anterior and posterior visual field. Since there are two chiasms, the retinotopic map is not affected.
The Biblia pauperum (Latin for "Paupers' Bible") was a tradition of picture Bibles beginning probably with Ansgar, and a common printed block-book in the later Middle Ages to visualize the typological correspondences between the Old and New Testaments. Unlike a simple "illustrated Bible", where the pictures are subordinated to the text, these ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Biblical cosmology is the biblical writers' conception of the cosmos as an organised, structured entity, including its origin, order, meaning and destiny. [1] [2] The Bible was formed over many centuries, involving many authors, and reflects shifting patterns of religious belief; consequently, its cosmology is not always consistent.
Another biblical theme linked to the winepress referenced by commentators was the allegory of the "Vineyard of God" or "True Vine", found in Isaiah 27:2–5, John 15:1 and Matthew 21:33–45, understood as a metaphor for the church. [24] All these elements came together in the image of Christ in the winepress.