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Thirteenth Step is a concept album about the different aspects and perspectives of addiction, and the recovery from it. [13] The album's title itself is a reference to the 12 step program of Alcoholics Anonymous. [10] Lead vocalist and primary lyricist of the band Maynard James Keenan explained the concept on the band's DVD Amotion, stating:
"The Outsider" is a song from A Perfect Circle's second album, Thirteenth Step. It was the album's second single, following "Weak and Powerless", and charted on the Billboard's Hot 100, Mainstream Rock, and Modern Rock charts in 2003.
It was the third single from the band's second studio album, Thirteenth Step, behind the releases of the singles "Weak and Powerless" and "The Outsider". While not as successful as the prior two singles, which crossed over into the Billboard Hot 100 charts and hit the top 5 of the Mainstream Rock charts, the song was still a moderate success ...
"Weak and Powerless" is the first single by the alternative rock band A Perfect Circle, from their second album, Thirteenth Step, and is also their highest charting single, reaching #1 on both the Mainstream Rock Tracks and Alternative Songs, the band's first number-one hit.
Containing many lyrical similarities with the track "Pet", from the previous album, Thirteenth Step, lead singer and lyricist Maynard James Keenan described the track as a continuation of the song. [2] While the former refers to addiction, "Counting Bodies" focuses on political agendas.
The thirteenth step is picking up girls at AA/NA meetings. — Preceding unsigned comment added by 24.238.183.8 ( talk ) 21:41, 14 March 2015 (UTC) [ reply ] The article explains it in-depth now, with many sources and quotes directly from Keenan...
"The 13th" is a song by English rock band the Cure, released as the first single from the band's 10th studio album, Wild Mood Swings (1996), on 22 April 1996. The song reached the top 20 in several territories, including Finland, Sweden, the United Kingdom, and Wallonia .
"Slip Inside This House" is a song originally released by psychedelic rock band the 13th Floor Elevators as the first track on their 1967 sophomore album Easter Everywhere. [1] At 8:03 in length, it is the longest track the band released on a studio album; a single version edited to just under four minutes was released by International Artists.