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"Subterranean Homesick Blues" is a song by Bob Dylan, recorded on January 14, 1965, and released as a single by Columbia Records, catalogue number 43242, on March 8. [5] It is the first track on the album Bringing It All Back Home , released some two weeks later. [ 6 ]
Gary P. Nunn (born December 4, 1945) [1] is an American country music singer-songwriter. He is best known for writing "London Homesick Blues", which was the theme song for Austin City Limits from 1977 to 2004 (seasons 2–29). [2]
Other covers include a somber cut of Guy Clark's "Desperados Waiting for a Train", the Michael Martin Murphey-penned drunkard's lament "Backslider's Wine", and Gary P. Nunn's own "London Homesick Blues" (on which he sang the lead vocals), another "life of a country singer" song which endures on radio, well known for its chorus of "I wanna go ...
Coe also covers the outlaw classic "London Homesick Blues", popularised by Jerry Jeff Walker, and, more curiously, the Tammy Wynette classic "Stand by Your Man". Coe plays it straight on the song, which was written by Wynette and Sherrill, and is heartfelt and moving, taking on a new meaning in a man's voice - more of a plea than a declaration. [1]
Dont Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.. In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant".
In 1980, The Blues Band recorded a version as a commentary on then Prime Minister Margaret Thatcher's government. [16] The line, "The National Guard stands around the door" being replaced with a line about the Special Patrol Group (SPG), the controversial unit of the London Metropolitan Police then being used to quell protests.
January blues are a real thing, and it can be caused by a number of different things. It is different to Seasonal Affective Disorder, which is brought on by a lack of sunlight.
The album opens with "Subterranean Homesick Blues", heavily inspired by Chuck Berry's "Too Much Monkey Business". "Subterranean Homesick Blues" became a Top 40 hit for Dylan. "Snagged by a sour, pinched guitar riff, the song has an acerbic tinge … and Dylan sings the title rejoinders in mock self-pity," writes music critic Tim Riley. "It's ...