Search results
Results from the WOW.Com Content Network
Excited at the sight, the girls cut their father into pieces and threw him into a pot. Unfortunately, the King never came to life. Having killed Pelias, Jason and Medea fled to Corinth. While in Corinth, the couple were married and lived together for 10 years. [21] They had between one and fourteen children depending on the source.
She won The Emmy Award for Outstanding Single Performance by an Actress in a Leading Role, for once again playing Lady MacBeth. She had support roles in Cinderfella (1960) and Why Bother to Knock (1961). In 1961, she toured an evening in which she performed Macbeth, Medea and Tower. [30] Anderson was in The Ghost of Sierra de Cobre (1964) for TV.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
In Greek mythology, when Jason left the sorceress Medea to marry Glauce, King Creon's daughter, Medea took her revenge by sending Glauce a poison dress and a golden coronet, also dipped in poison. This resulted in the death of the princess and, subsequently, the king, when he tried to save her.
In Greek mythology, Mermerus (Ancient Greek: Μέρμερος, Mérmeros) and Pheres (Ancient Greek: Φέρης, Phéres) were the sons of Jason and Medea. They were killed either by the Corinthians [1] or by Medea, [2] for reasons that vary depending on the rendition. In one account, Mermerus was killed by a lioness while hunting. [3]
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.
Medea's unexpected power of persuasion or even of fascination lies in her change of attitude: instead of preaching to Creon about the unpopularity of the sophoi she plays the role of a desperate mother, needing one day to prepare for exile. [20] Medea is aware of the humiliating quality of this tactic, but she justifies it on the grounds of a ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.