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Asheru collaborated with Aaron McGruder to write and perform several songs for the TV series, The Boondocks, including the show's theme song. Asheru's contribution to the controversial episode "Return of the King" won the Peabody Award in 2006.
The opening theme song used in the series (slightly remixed for Season 2 and 3) is performed by hip-hop artist Asheru. The series was produced in widescreen since the beginning, but the image was cropped to accommodate the 4:3 aspect ratio at the time of their original broadcasts as well as reruns.
"Boondocks" is a song co-written and recorded by American country music group Little Big Town. It was released in May 2005 as the first single from their second studio album The Road to Here . It became their first Top 10 hit on the U.S. Billboard Hot Country Songs charts. [ 1 ]
Solid Gold – Theme song performed by Dionne Warwick (Seasons 1 and 4) and Marilyn McCoo (Seasons 2–3, 5–8) Some Mothers Do 'Ave Em – Ronnie Hazlehurst; The Sonny & Cher Comedy Hour ("The Beat Goes On") – Sonny Bono and Cher; Sonny with a Chance ("So Far, So Great") – Demi Lovato; The Sooty Show – Alan Braden
"Return of the King" is the ninth episode of the first season of the animated television series The Boondocks. The episode was written by series creator Aaron McGruder and directed by Kalvin Lee, and originally aired in the United States on Cartoon Network's late-night programming block Adult Swim on January 15, 2006.
Financial experts are weighing in on potential economic shifts as the presidential transition approaches. Of course, nobody knows for sure what's coming, but experts have predictions as to how...
He begins writing a new play that adheres to his unique vision, sets up an office to manage the organizational work, and hires Quincy Jones as music director. Finding that the students cast in the play are goofing off instead of rehearsing, Huey angrily fires all of them and consults with Jones about bringing in high-profile movie stars to fill ...
Chopra says Rodgers was immediately “really trusting” with him and Hughes, adding that throughout their year working together on the documentary, Rodgers “was very open and vulnerable.”