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Moonrise by the Sea or Moonrise over the Sea (German: Mondaufgang am Meer) is an 1822 oil-on-canvas painting by German painter Caspar David Friedrich. The work depicts a romantic seascape. Three young people, two women side by side and a man further back, are sitting on a large boulder by the sea, silhouetted against the sky as they watch the ...
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
Considered the patriarch of modern seascape art, his paintings hang in many major collections throughout the globe, including Canada, England, South America, South Africa, Japan, Mexico and Russia, as well as hundreds of American homes. Eugene Garin is an artist who appeals to both the novice collector and the connoisseur.
Rough Waves (Japanese: 波濤 図 屏風) is a painting by the Japanese artist Ogata Kōrin, on a two-panel byōbu (folding screen). The work was created c. 1704 – c. 1709, and depicts a swirl of stormy sea waves.
The Gulf Stream is an 1899 oil painting by the American artist Winslow Homer. [1] It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade.
Fishermen at Sea, 1796, the first oil painting by J. M. W. Turner to be exhibited at the Royal Academy, in 1796. Fishermen at Sea, sometimes known as the Cholmeley Sea Piece, is an early oil painting by English artist J. M. W. Turner. It was exhibited at the Royal Academy in 1796 and has been owned by the Tate Gallery since 1972. It was the ...
A homage to this painting appears in the final panel of On the False Earths (1977), the seventh volume of Jean-Claude Mézières and Pierre Christin's long-running comic book series Valérian and Laureline. [11] The painting was featured prominently in Jean-Pierre Jeunet's film Le Fabuleux Destin d'Amélie Poulain — released in English as ...
Renoir made a trip to Italy in 1881-82 and was deeply influenced by Renaissance art. After this trip he began to explore a new manner of painting, different from impressionism. He started to emphasize contours and modeling, abandoned the principle that scenes should be painted outdoors to capture light and atmosphere. [2]
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