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It is usually a combination of a Bode magnitude plot, expressing the magnitude (usually in decibels) of the frequency response, and a Bode phase plot, expressing the phase shift. As originally conceived by Hendrik Wade Bode in the 1930s, the plot is an asymptotic approximation of the frequency response, using straight line segments .
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Bode plot illustrating phase margin. In electronic amplifiers, the phase margin (PM) is the difference between the phase lag φ (< 0) and -180°, for an amplifier's output signal (relative to its input) at zero dB gain - i.e. unity gain, or that the output signal has the same amplitude as the input.
Bode magnitude plot for the voltages across the elements of an RLC series circuit. Natural frequency ω 0 = 1 rad/s, damping ratio ζ = 0.4. Sinusoidal steady state is represented by letting s = jω, where j is the imaginary unit. Taking the magnitude of the above equation with this substitution:
The magnitude axis is in [Decibel] (dB). The phase axis is in either degrees or radians. The frequency axes are in a [logarithmic scale]. These are useful because for sinusoidal inputs, the output is the input multiplied by the value of the magnitude plot at the frequency and shifted by the value of the phase plot at the frequency.
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Magnitude transfer function of a bandpass filter with lower 3 dB cutoff frequency f 1 and upper 3 dB cutoff frequency f 2 Bode plot (a logarithmic frequency response plot) of any first-order low-pass filter with a normalized cutoff frequency at =1 and a unity gain (0 dB) passband.