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Up until the standardization of the bow by François Tourte in 1785, most bows with rare exceptions remained anonymous (before 1750). [3] And although François Tourte attained an enormous measure of fame in his own lifetime, the tradition of the anonymous bow maker was still so strong that theorists like Woldemar and Fetis called Tourte's new-model bow not the Tourte bow but the Viotti bow ...
François Xavier Tourte (1747 – 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. [1] [2]
A bow maker/archetier is a person who builds, repairs or restores ancient or modern bows for bowed string instruments Pages in category "Bow makers" The following 74 pages are in this category, out of 74 total.
The early 18th-century bow referred to as the Corelli-Tartini model is also referred to as the Italian 'sonata' bow. This basic Baroque bow supplanted by 1725 an earlier French dance bow that was short with a little point. The French dance bow was held with the thumb under the hair and played with short, quick strokes for rhythmic dance music.
Peccatte passed on to Henry and Simon his teachings from Persoit (Persois) regarding the cambering of the bow (the shaping and imprinting of the curve of the bow). This collaboration gave rise to what is considered to be the best wood-bending school in France: Persoit-Peccatte-Henry-Simon. 150-200 years later, it is difficult to find a bow made ...
The down-bow is naturally stronger than the up thanks to the action of gravity, and this tendency is even more true with a Baroque bow, which is stiff towards the bottom and middle and weak towards the tip. In Romantic and later violin playing, this natural tendency is evened out as much as possible with the aim of producing clear melodic phrases.
James Tubbs (1835 – 1921) is one of the most celebrated English bow makers, and is considered "The English Tourte". Together with his son Alfred (d. 1912), he produced more than 5,000 bows. It is generally accepted that James Tubbs ranks among the five or six most important bow makers in history. [1] "The Tubbs family made bows and ...
"Victor's best bows can be superb playing tools. Some examples which are mounted in G/T, are quite stunning." [9] Gennady Filimonov "Victor Fetique was capable of producing some very good bows, but the attention of his atelier seemed to focus on quantity, and thus the output is frequently of a more commercial quality." [10] Stefan Hersh
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