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The hardware accelerated effects engine is an E-mu FX8010 DSP integrated into the Creative Technology's audio chip and was historically used to enhance MIDI output by adding effects (such as reverb and chorus) to the sampled instruments on 'wavetable' sample-based synthesis cards (which is often confused with the "wavetable synthesis" developed ...
The first reverb effects, introduced in the 1930s, were created by playing recordings through loudspeakers in reverberating spaces and recording the sound. [2] The American producer Bill Putnam is credited for the first artistic use of artificial reverb in music, on the 1947 song "Peg o' My Heart" by the Harmonicats.
Time-based effects delay the sound signal, add reverb or echos, or, if a long delay is possible, enable musicians to record "loops". A vintage Echoplex EP-2 delay effect
The reverse reverb is applied to the first word or syllable of the vocal for a build-up effect or other-worldly sound. Metallica used the effect in the song "Fade To Black" on James Hetfield's vocals in their 1984 album Ride The Lightning. The effect was also employed by Genesis (on Phil Collins’ snare drum) at the end of the song “Deep in ...
Reverberation is applied artificially by using reverb effects, which simulate reverb through means including echo chambers, vibrations sent through metal, and digital processing. [ 5 ] Although reverberation can add naturalness to recorded sound by adding a sense of space, it can also reduce speech intelligibility , especially when noise is ...
ValhallaDSP says this reverb is best for the sound of "old school digital hardware reverbs". [13] One review feels that while it is excellent for getting the unreal larger than life sound of a classic Lexicon reverb, it does not work as a subtle reverb effect and is not a reverb for every occasion. [15]
In a traditional recording studio additional rackmount processing gear is physically plugged into the audio signal path to add reverb, compression, etc. However, a DAW can also route in software or use audio plug-ins (for example, a VST plugin) to process the sound on a track.
The Sunset Sound studio reverb room was also used to add reverb. The Frankenstrat was tuned down a half-step. "Eruption" begins in the key of A flat and ends on an E flat note that is a twelfth fret, 6th string harmonic processed through a Univox EC-80 echo unit.
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