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Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
Postmodern dance is a 20th century concert dance movement that came into popularity in the early 1960s. While the term postmodern took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the ...
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
Alternative dance (also known as indie dance [4] or underground dance in the United States [5]) is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles , it has gained American and worldwide exposure through acts such as New Order in the 1980s and the Prodigy and in the 1990s.
A courante rhythm [1]. The courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era.In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude.
A loaded term meant to distinguish electronic music of the '90s and later that's equally comfortable on the dancefloor as in the living room, IDM (Intelligent Dance Music) eventually acquired a good deal of negative publicity, not least among the legion of dance producers and fans whose exclusion from the community prompted the question of ...
Graham technique is designed to make its dancers expressive and dramatic. Its movement vocabulary draws connections between the physical and emotional meanings of "power", "control", and "vulnerability". [9] Movement initiates from the core, incorporating large back movements and dancing on the floor.
More broadly, the Madchester scene brought together electronic dance music and alternative rock, particularly the fusion of drumming styles from funk and disco music (and sampled in '80s hip-hop music) with jingle-jangle guitar. In the 1990s, this became a standard formula, frequently found even in the most commercial music.