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Breakthrough was mostly financed by West German producers when it was released in 1979, after several changes were made to the sequel: for instance, the action was relocated from Russia to the Western Front and Richard Burton replaced Coburn as Sgt Steiner. The film was panned by critics, who identified a confusing plot, poor dialogue, an aged ...
Palme d'Or (Cannes Film Festival): Apocalypse Now , directed by Francis Ford Coppola , United States The Tin Drum (Die Blechtrommel), directed by Volker Schlöndorff, W. Germany
Breakthrough, an American war film featuring John Agar Breakthrough (1986 film) , a Soviet disaster film Breakthrough (1979 film) , a West German war film, sequel to Cross of Iron
Kelly's Heroes is a 1970 World War II comedy drama heist film, directed by Brian G. Hutton, about a motley crew of American GIs who go AWOL in order to rob a French bank, located behind German lines, of its stored Nazi gold bars.
The film Breakthrough, which was mostly financed by West German producers, was released in 1979. It was made by Anglo-American director Andrew McLaglen who, like Peckinpah, was known for Westerns. Several changes were made to the sequel.
The Barrier (1979 film) Baton Baton Mein; The Battle of Chile; Beach Patrol (film) Bear Island (film) Behan Bhai (1979 film) Being There; The Bell Jar (film) Beneath the Valley of the Ultra-Vixens; Best Boy (film) The Best Place to Be; Better Late Than Never (1979 film) Beyond the Darkness (film) Beyond the Poseidon Adventure; Bhayaanak ...
Throughout her career, she has acted in nearly 40 stage productions. She made her film debut with a minor role in Woody Allen's comedy-drama Annie Hall (1977), but her breakthrough came when she portrayed Ellen Ripley in Ridley Scott's science fiction film Alien (1979).
Off the Wall received widespread critical acclaim and was hailed as a major artistic breakthrough for Jackson. In a 1979 review of the album, Rolling Stone magazine contributor Stephen Holden praised Jackson's maturity and transition from his early Motown material, stating that the album "represents discofied post-Motown glamour at its classiest."