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Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer , especially when dealing with an object of cultural heritage .
Fielding notes that a number of different types of adhesives may be used in this process. Glue paste, beeswax, strong copal varnish, or a glue made from pounded cheese are all listed as acceptable materials to coat the back of the artwork with. [6] The main benefits of a pounded cheese-based paste is its water-resistance.
There are three types of ceramic objects. They are earthenware, stoneware, and porcelain. Each of these types of ceramic objects are fired at different degrees and come in different colors. [19] The materials used in their construction are often a clay body, and some times mixed with sand, shell, chalk, mica, and ground-up fired ceramics.
Renaissance Wax: Renaissance wax is a hard wax that produces a high shine when it is buffed. It is not always the easiest brand to find. Kiwi Neutral Shoe Polish: Kiwi Neutral Shoe Polish can create a "high gloss" if desired and can be used in conjunction with Trewax brand paste wax. It may darken light patinas, and so should only be used with ...
The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china), developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.
A completely unrelated type of "encaustic painting", not involving wax at all, is found in British ceramics, after Josiah Wedgwood devised and patented the technique in 1769. This was a mixture of ceramic slip and overglaze "enamel" paints used to imitate ancient Greek vase painting, and given a light second firing.
The figure by the same factory illustrated here uses elements modelled in a coloured paste, and is all biscuit. Biscuit porcelain could also be painted with unfired paint rather than the enamels normal overglaze decoration uses, the lack of a shiny surface giving a strikingly different effect in the best examples. This rare technique is called ...
Chalk paint may be applied with a brush, roller, or spray gun. [5] The paint should be applied in thin layers and will typically dry within two hours. [3] A topcoat sealer, such as wax or lacquer, should be applied to avoid the flaking of the chalk paint. The topcoats may enhance the decorative characteristics. [1] [2] [3]
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