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Smash is the third studio album by American rock band the Offspring, released on April 8, 1994, through Epitaph Records. After touring in support of their previous album Ignition (1992), the band recorded their next album for nearly two months at Track Record in North Hollywood, California .
The Offspring in 2008. This is an incomplete list of songs released by American punk rock group the Offspring in alphabetical order. The list includes tracks from each of the Offspring's studio albums The Offspring (1989), Ignition (1992), Smash (1994), Ixnay on the Hombre (1997), Americana (1998), Conspiracy of One (2000), Splinter (2003), Rise and Fall, Rage and Grace (2008), Days Go By ...
"Self Esteem" is a song by American punk rock band the Offspring. It is the eighth track and second single from their third studio album, Smash (1994). The song was released on 22 December 1994 by Epitaph and was a worldwide hit, reaching number one in Iceland, Norway, Latvia and Sweden.
That album, Smash, went to No 4 in the Billboard charts, nearly sinking their label with its sudden, global demand. The Offspring rose to fame after their 1994 hit ‘Come Out And Play’ rocketed ...
With five words, The Offspring created one of the most memorable moments of the 1990s. “Come Out and Play,” the lead single from the band’s 1994 album, Smash, helped usher in a golden age of ...
Recording on and off over 20 days in January and February 1994, the band from Garden Grove put together the record that would change the trajectory of its career.
The band changed its name to "the Offspring" in 1986. Lilja left the Offspring in 1987 to pursue a medical career in oncology and was replaced by Ron Welty, who was 16 years old at the time. [2] [3] The bands first touring member was Chris "X-13" Higgins, who at first provided backing vocals and later played percussion and rhythm guitar.
[13] [15] Fields contended that the similarity between the two guitar parts amounted to the Offspring sampling Agent Orange, and requested that Epitaph pay a licensing fee of US$0.01 for each copy of Smash sold—equating to $60,000 or more at the time—which he would split evenly with Agent Orange frontman and "Bloodstains" writer Mike Palm. [13]