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Islamic calligraphy is associated with geometric Islamic art on the walls and ceilings of mosques as well as on the page or other materials. Contemporary artists in the Islamic world may draw on the heritage of calligraphy to create modern calligraphic inscriptions, like corporate logos, or abstractions.
Edward Johnston, CBE (11 February 1872 – 26 November 1944) was a British craftsman who is regarded, with Rudolf Koch, as the father of modern calligraphy, in the particular form of the broad-edged pen as a writing tool.
Some critics call it simply gendai sho (現代書, modern calligraphy), because this genre of calligraphy is now fairly mainstream and no longer “avant-garde.” [29] Many calligraphers who are part of the contemporary Keiseikai also continue to work in this mode, and this general style should therefore not be considered unique to Bokujinkai ...
The famous modern Chinese calligrapher Tian Yunzhang, member of the Chinese Calligrapher Association, summarized rules of modern calligraphy. The following rules are from One Question Every Day, One Word Every Day ( 每日一题，每日一字 a calligraphy video column with deep analysis of different characters, lectured by Tian Yunzhang .
Roman capitals were used along with lower case, Arabic numerals, italics and calligraphy in a complementary style. [21] The style has been used for lettering where a feeling of timelessness was wanted, for example on First World War memorials and government buildings, but also on shopfronts, posters, maps, and other general uses.
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
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