Search results
Results from the WOW.Com Content Network
Taraka Brahma Mantras of four Yugas Yuga: Mantra: Satya Yuga: narayana para veda narayana paraksara narayana para muktir narayana-para gatih Treta Yuga: rama narayanananta mukunda madhusudana krsna kesava kamsare hare vaikuntha vamana Dvapara Yuga: hare murare madhu-kaitabhare gopala govinda mukunda saure
Tyagaraja is said to have composed thousands of devotional compositions, most of them in praise of Lord Rama; some of which remain very popular even today. Of special mention are five of his compositions called the Pancharatna Kriti (English: 'five gems'), which are often sung in programmes in his honor.
Nobody knows how Sri Ramadasu looks like and whenever we think about Sri Ramadasu in the future, the image of Nagarjuna becomes the visual aid. The first half of the film is decent. The emotional graph starts growing up from ‘Antha Ramamayam’ song and goes to the peak by the film reaches climax. The second half of the film is very good.
Devoted to Rama, Bhadra later met the sage Narada, who initiated an upadesam (instruction) of the Rama Taraka mantra. Bhadra mediated and chanted the mantra on the banks of the Godavari River for several years. Pleased, Rama promised to return to meet Bhadra when he had found Sita, who had been abducted by the demon king Ravana. However, Rama ...
Sri Rama Rajyam (transl. The Kingdom of Lord Rama ) is a 2011 Indian Telugu-language devotional film directed by Bapu (in his last venture) who co-wrote the film with Mullapudi Venkata Ramana , and produced by Yalamanchali Saibabu.
"Paluke Bangaramayena" [1] one of the famous Telugu compositions by the 17th century composer and devotee of Lord Sri Rama, Bhadrachala Ramadasu. [2] He is known to have composed hundreds such songs however the original music is lost. Indian Carnatic vocalist Mangalampalli Balamuralikrishna set music to these songs in the 1950s and popularized ...
The Pancharatna kritis were written in praise of the Hindu deity Rama.They are set to Adi Tala and each raga represents the mood of the song and the meaning of its lyrics. All the kritis were composed in the style of a Ragam Tanam Pallavi (RTP) with the charanams (stanzas) substituting for the kalpana swaras (improvisatory passages) in the pallavi section of the RTP.
Son of Nanda the shepherd, enchanting flute player, come oh come Lord of Radha. In the Age of Treta, You incarnated as Rama, Lord of Sita. In the Age of Dvapara, You incarnated as Krishna, Lord of Radha. You are the Saviour who taught us the Bhagavad Gita. From age to age You embody the perfect form.