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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
When paired with the term otium, the word dignitas took on a different meaning. Cicero did not consider himself worthy of having dignitas alone because he felt that—by turning his back on the Roman public—he had neglected the duty of one whose life had normally exemplified the concept. He then altered the definition to mean "[lifetime ...
Aeneas, depicted here with Venus, was considered the embodiment of gravitas, pietas, dignitas, and virtus. [4]Gravitas was one of the virtues that allowed citizens, particularly statesmen, to embody the concept of romanitas, [5] which denotes what it meant to be Roman and how Romans regarded themselves, eventually evolving into a national character. [6]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Dignitas may refer to: Dignitas (Roman concept), a Roman virtue; Dignitas (non-profit organisation), organization providing physician-assisted suicide; Dignitas International, a humanitarian organisation; Dignitas (esports), a US-based esports team; Dignitas personae, a Vatican instruction on bioethics
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
For example, while details such as melodic notes exist at the lowest structural levels, the foreground, in the background the fundamental structure is the most basic structural level of all tonal music, representing the digression from and necessary return to the tonic that motivates musical form.
The term virtus was used quite significantly by the historian Sallust, a contemporary of Cicero. Sallust asserted that virtus did not rightfully belong to the nobilitas as a result of their family background but specifically to the novus homo through the exercise of ingenium (talent, also means sharpness of mind, sagacity, foresight, and ...