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  2. Kempyang and ketuk - Wikipedia

    en.wikipedia.org/wiki/Kempyang_and_ketuk

    The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all ...

  3. Freya Jayawardana - Wikipedia

    en.wikipedia.org/wiki/Freya_Jayawardana

    Nagiichi (Nagisa de Ichiban Kawaii Girl!!) (Gadis yang Paling Cantik Pinggir Pantai) Eien Pressure (Selamanya Pressure) Oshibe to Meshibe to Yoru no Chouchou (Benang Sari, Putik, dan Kupu-Kupu Malam) Gomen ne, Jewel (Maafkan, Hai Permataku) Teacher Teacher; Kataomoi, Finally! (Cinta Tak Berbalas, Finally!) Must be now; Sweet & Bitter

  4. Colotomy - Wikipedia

    en.wikipedia.org/wiki/Colotomy

    Ladrang form on the phrase making or colotomic instruments. p = kempyang, t = ketuk, ⋅ = pause, N = kenong, P = kempul, GONG = gong ageng. [1] Colotomy is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing ...

  5. Bonang - Wikipedia

    en.wikipedia.org/wiki/Bonang

    Indonesia The bonang is an Indonesian musical instrument used in the Javanese gamelan . [ 1 ] It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame ( rancak ), either one or two rows wide.

  6. Kenong - Wikipedia

    en.wikipedia.org/wiki/Kenong

    The Kenong is a musical instrument of Indonesia used in the gamelan. [1] [2] It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments.

  7. Gamelan surakarta - Wikipedia

    en.wikipedia.org/wiki/Gamelan_Surakarta

    A typical large, double gamelan in contemporary solo will include, in the sléndro set, one saron panerus (or saron peking), two saron barung, one or two saron demung, one gendér panerus, one gender barung, one slenthem (or "gender panembung"), one bonang panerus and one bonang barung (each with twelve gongs), one gambang kayu, one siter or celempung, one rebab, one suling, one pair of kethuk ...

  8. Minggah - Wikipedia

    en.wikipedia.org/wiki/Minggah

    It is distinguished from the previous section by the use of kempyang. In the minggah section, the kempyang and kethuk play in the same pattern as in the ketawang, but with no kempul, and the kenong only where the gong ageng goes in the ketawang. Like the merong, it has a diversity of forms which can be specified by naming the number of kethuk ...

  9. Gendang beleq - Wikipedia

    en.wikipedia.org/wiki/Gendang_beleq

    Gendang beleq is a dance and music performance from Lombok island, Indonesia. [1] It is a popular performance among the native Sasak people.. The name gendang beleq is a Sasak language term, which means "big drum (big gendang)", [2] as the performance is about a group of musicians playing, dancing and marching with their traditional instruments, centered on two big drum (gendang) players.