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The ash tree also features strongly in Irish mythology. The mountain ash, rowan, or quicken tree is particularly prominent in Scottish folklore. [3]There are several recorded instances in Irish history in which people refused to cut an ash, even when wood was scarce, for fear of having their own cabins consumed with flame.
When the fable figured in 16th century emblem books, more emphasis was put on the moral lesson to be learned, to which the story acted as a mere appendage.Thus Hadrianus Junius tells the fable in a four-line Latin poem and follows it with a lengthy commentary, part of which reads: "By contrast we see the reed obstinately holding out against the power of cloudy storms, and overcoming the onrush ...
The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)
Dryads, tree and forest nymphs; Epimeliades, nymphs of highland pastures and protectors of sheep flocks; Gaia, primal mother goddess and goddess of the earth and its personification; Hamadryades, oak tree dryads; Hegemone, goddess of plants, specifically making them bloom and bear fruit as they were supposed to; Helios, Titan-god of the sun
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally passed down orally in the prehistoric era. In the early medieval era, myths were written down by Christian scribes, who Christianized them to some extent. Irish mythology is the best-preserved branch of Celtic mythology.
The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
The ritual of oak and mistletoe is a Celtic religious ceremony, in which white-clad druids climbed a sacred oak, cut down the mistletoe growing on it, sacrificed two white bulls and used the mistletoe to make an elixir to cure infertility and the effects of poison. [1]