Search results
Results from the WOW.Com Content Network
The song marked Junoon's foray into what later became the sufi rock sound that the band is most popularly associated with. The song uses blending rock guitars and bluesy vocals with eastern elements like the use of tablas (traditional south Asian hand drums), raga-inspired melodies, traditional Pakistani folk music , and Eastern inspired poetry.
The song is composed and produced by lead guitarist and founder of the band Salman Ahmad. It is the lead single on the album, the song uses blending of rock guitars and bluesy vocals with eastern elements like the use of tablas , raga-inspired melodies and traditional Pakistani folk music .
"Ehtesaab" (Urdu: احتساب, literal English translation: "accountability") is the second track on the 1995 compilation album Kashmakash by the sufi rock band Junoon, and is the second single from the album. After the release of the band's first real big hit single "Jazba-e-Junoon", which was the song of the 1996 Cricket World Cup. "Ehtesaab ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
The name Urdu was first introduced by the poet Ghulam Hamadani Mushafi around 1780. [29] [30] As a literary language, Urdu took shape in courtly, elite settings. [79] [80] While Urdu retained the grammar and core Indo-Aryan vocabulary of the local Indian dialect Khariboli, it adopted the Perso-Arab writing system, written in the Nastaleeq style.
"Jazba-e-Junoon" (Urdu: جذبہ جنوں, literal English translation: "the spirit of passion") is a song by the Pakistani sufi rock band Junoon.It is the thirteenth and final track from the band's album third album, Inquilaab (1996), released on EMI Records.
Dhaani, the first song of the album is a blend of Faisal's groovy voice and Bilal Maqsood's guitars. Next in line is " Najane Kyun ". It's a soft number, which gives the signature sound of Strings followed by "Kahani Mohabat ki" and "Mera Bichara Yaar".