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Praskovia Tchaokovskaia wears a high-necked afternoon dress with puffed elbow-length sleeves and a fabric belt or sash, Russia, 1890–92. Bathing suit, 1890-1895, nautical fashion : navy color and sailor collar and sleeves; Day dresses of 1892 have low waists and high necklines. Sleeves have a high, gathered sleeve-head and are fitted to the ...
A daguerreotype of a Victorian couple from the 1840s showing a pelerine. Riding habits consisted of a high-necked, tight-waisted jacket with long snug sleeves, worn over a tall-collared shirt or chemisette, with a long matching petticoat or skirt. Contrasting waistcoats or vests cut like those worn by men were briefly popular.
The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
Gown of Amalie von Krüdener in 1828 shows the beginnings of the dropped shoulder and wide sleeve puff that would flower in the 1830s. Hair is worn in elaborate side curls, and the knotted bun is higher on the crown of the head. German. Regina Daxenberger wears sheer blue oversleeves with short puffed undersleeves. Her fitted bodice has pairs ...
Eugénia, Duchess of Palmela wears a black gown with short, puffed sleeves and mid-length gloves. Her hair is dressed in elaborate curls and a looped braid is gathered into a topknot. Isabella Colbran, wife of Gioachino Rossini wears a brown silk dress with puffed sleeves, and low square-toed slippers.
The Infanta Margarita of Spain is shown here wearing a mourning dress of unrelieved black with long sleeves, cloak and hood. She wears her hair parted to one side and severely bound in braids, 1666. Two English ladies wear dresses with short sleeves over chemise sleeves gathered into three puffs. The long bodice front with curving bands of ...
These styles were then adopted by the painters' wives and models for everyday dress. Dresses were loosely fitted and comparatively plain, often with long puffed sleeves; they were made from fabric in muted colors derived from natural dyes, and could be ornamented with embroidery in the art needlework style.
Eleonora Gonzaga wears a black gown with puffed upper sleeves. A "flea fur" with jeweled gold face is suspended from her knotted and tasselled girdle. She wears a partlet with a high collar and small ruff, and her hair is confined in a black cap, 1538. Lucrezia Panciatichi wears a rose gown with intricately ruched or gathered puffed upper ...
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