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Snake charming is the practice of appearing to hypnotize a snake (often a cobra) by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand .
The pungi is played by Jogi in the Thar desert. [11] It is in particular played by snake charmers, mostly in the Terai and Nepal, to arouse snakes to dance. [12] The instrument has a high, thin tone and continuous low humming. [13] It has been an important instrument in Indian folk culture and is known by various names in different parts of India.
The male participants play musical instruments, such as the pungi, a woodwind instrument traditionally played to capture snakes, the dufli, been, the khanjari - a percussion instrument, morchang, khuralio and the dholak to create the rhythm on which the dancers perform. The dancers are tattooed in traditional designs and wear jewelry and ...
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Pungi: पुँगी Snake-charmer's flute a double reed woodwind with two reed pipes (one a drone) attached to small gourd, a mouth-blown air hole at the top of the gourd. Simpler instrument than the bin; it lacks the bin's holes on the drone pipe, for changing scale. Learners may use this before going on to the bin.
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A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...