Search results
Results from the WOW.Com Content Network
Nunn, Joan: Fashion in Costume, 1200–2000, 2nd edition, A & C Black (Publishers) Ltd; Chicago: New Amsterdam Books, 2000. (Excerpts online at The Victorian Web) Russell, Douglas A. " Costume History and Style" Stanford University, 1983. Steele, Valerie: Paris Fashion: A Cultural History, Oxford University Press, 1988, ISBN 0-19-504465-7
Dance clubs became enormously popular in the 1920s. Their popularity peaked in the late 1920s and reached into the early 1930s. Dance music came to dominate all forms of popular music by the late 1920s. Classical pieces, operettas, folk music, etc., were all transformed into popular dancing melodies to satiate the public craze for dancing.
Jazz music, previously restricted to mainly poor African-Americans, broke out as the musical craze of the 1920s. In the 1920s, American jazz music and motor cars were at the centre of a European subculture which began to break the rules of social etiquette and the class system (See also Swing Kids and Flappers).
A number of classical music composers, such as those of the School of Paris and Les Six, also flourished at this time. "The musical influence of Paris, dominated first by Debussy and then by Stravinsky, seems to have been almost inescapable for composers in the first four decades of the century."
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
For premium support please call: 800-290-4726 more ways to reach us
5. Dressing Up Was Mandatory. Going out to dinner in the 1950s was a formal affair — and both men and women dressed accordingly. Men wore suits and ties, while women donned dresses and heels.
January 19 – The Salzburg Festival is revived. [1]September 4 – City of Birmingham Orchestra (England) first rehearses (in a city police bandroom). Later this month, its first concert, conducted by Appleby Matthews, opens with Granville Bantock's overture Saul; in November it gives its "First Symphony Concert" when Edward Elgar conducts a programme of his own music in Birmingham Town Hall.