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The purpose of bias lighting is to reduce the perceived brightness of the display as a result of the contrast with the slightly illuminated area around it. [1] This reduces the eye strain and fatigue that occurs when viewing a bright display against a very dark background for an extended time, [1] and increases the perceived blackness, perceived highlights, and overall contrast of the display.
Three-point lighting is a standard method used in visual media such as theatre, video, film, still photography, computer-generated imagery and 3D computer graphics. [1] By using three separate positions, the photographer can illuminate the shot's subject (such as a person) however desired, while also controlling (or eliminating) the shading and ...
The key light is the first and usually most important light that a photographer, cinematographer, lighting cameraman, or other scene composer will use in a lighting setup. [ 1 ] [ 2 ] The purpose of the key light is to highlight the form and dimension of the subject.
In editing, the master can be used to a greater or lesser extent as the 'skeleton' of the edit, which is fleshed out by replacing parts of the master with tighter coverage such as closeups and cutaways. Match cut One of various editorial devices used to preserve a sense of spatio-temporal integrity or continuity between cuts. Medium close-up
Light stage is a device used for capturing the shape, texture, and reflectance of a target, usually for virtual cinematography. Light stages are usually a combination of multiple cameras and structured light techniques, and additionally, polarizers are included to find the subsurface scattering component of the target's skin. Omnidirectional camera
Camtasia Recorder allows audio (and webcam) recording while screen recording is in progress, so the presenter can capture live narration during a tutorial or presentation. Camtasia also supports dubbing in other audio tracks or voiceover during post-capture editing.
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The f-number (relative aperture) determines the depth of field, and the shutter speed (exposure time) determines the amount of motion blur, as illustrated by the two images at the right (and at long exposure times, as a second-order effect, the light-sensitive medium may exhibit reciprocity failure, which is a change of light sensitivity ...
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