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"Chanson d'automne" ("Autumn Song") is a poem by Paul Verlaine (1844–1896), one of the best known in the French language. It is included in Verlaine's first collection, Poèmes saturniens, published in 1866 (see 1866 in poetry). The poem forms part of the "Paysages tristes" ("Sad landscapes") section of the collection. [1]
Thus, in the letter that he wrote to Reynolds, Keats also included a note saying that he abandoned his long poem. [7] Keats did not send "To Autumn" to Reynolds, but did include the poem within a letter to Richard Woodhouse, his publisher and friend, and dated it on the same day. [8] The poem was revised and included in Keats's 1820 collection ...
Poem Year published Length Verse form Algerton, Frank C. Columbia: an Epic Poem on the Late Civil War between the Northern and Southern States of North America: 1893: heroic couplet Ammons, A. R. Sphere: The Form of a Motion: 1973: Ammons, A. R. Tape for the Turn of the Year: 1965: Ashbery, John: Flow Chart: 1991: Atherstone, Edwin: The Fall of ...
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The book features a collection of poems containing also the 1948 Stevens long poem of the same name, whose title refers to the aurora borealis, or the "Northern Lights", in the fall. [1] The book collects 32 Stevens poems written between 1947 and 1950, and was his last collection before his 1954 Collected Poems .
Autumn Journal is an autobiographical long poem in twenty-four sections by Louis MacNeice. It was written between August and December 1938, and published as a single volume by Faber and Faber in May 1939. Written in a discursive form, it sets out to record the author's state of mind as the approaching World War II seems more and more inevitable.
Canaäd, an epic poem reconstructing Canaanite mythology, set during the Late Bronze Age. Epic of Bamana Segu, oral epic of the Bambara people, composed in the 19th century and recorded in the 20th century; Epic of Darkness, tales and legends of primeval China; Epic of Jangar, poem of the Oirat people
A long poem allows the author to be encyclopedic in their treatment of the world, as opposed to the potentially narrow focus of the lyric. A long poem poet can work on a long poem their entire life, weaving in their impressions gleaned from the span of several generations (and historical events); it can be an ongoing work.