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"I Believe" is a popular song written by Ervin Drake, Irvin Abraham (as "Irvin Graham"), Jack Mendelsohn (as "Jimmy Shirl") and Al Stillman in 1953. [1] The most popular version was recorded by Italian-American singer Frankie Laine , and spent eighteen weeks at No. 1 on the UK Singles Chart .
We Must Believe in Magic is the fourth studio album by American country music singer Crystal Gayle. [2] Released on June 24, 1977, it became her highest selling album, reaching #2 on the Billboard Country Albums chart and #12 on the main Billboard album chart (her first album to enter the main chart and her only album to make the Top 30 there to date). [4]
In 1978, it was covered by Jack Clement on his album All I Want to Do in Life. [ 1 ] [ 3 ] In his book on Johnny Cash , who recorded this song on a Jack Clement–produced album in the 1980s, John M. Alexander describes "We Must Believe in Magic" as a "whimsical piece of sound advice to hold on to our ability to always believe in magic and the ...
Gayle signed with United Artists Records in 1974 and began recording albums. [1] Her self-titled debut album was issued in 1975, peaking at number 25 on the Billboard Top Country Albums chart. [2] After releasing two similar studio albums, Gayle issued We Must Believe in Magic in 1977.
I Believe (Dr. Alban album), and the title song, 1997; I Believe (Irfan Makki album), and the title song, 2011; I Believe (Johnny Cash album), a 1984 reissue of songs from A Believer Sings the Truth (1979)
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“I’ll Do It All Over Again” Wayland Holyfield 1976 Crystal Gayle: Crystal “You Never Miss a Real Good Thing (‘Til He Says Goodbye)” 1976 Crystal Gayle Crystal "Right In the Palm of Your Hand" 1976 Crystal Gayle Crystal "Closest Thing to You" 1976 Jerry Lee Lewis Country Class "I'll Need Someone to Hold Me (When I Cry)" Wayland ...
In a review of Home by AllMusic, staff writer Tom Demalon said that the song "revealed the band to have more of a social conscience than similar acts such as Hootie & the Blowfish through the spiritually tinged lyrics." [5] In a review by Rolling Stone, staff writer Paul Evans called the song "all righteous, wide-eyed affirmation". [6]