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Instant films with different view and expose sides had, as seen from the view side, from the front towards the back of the film, in layers: A backing layer, a clear polyester layer, a mordant to receive the image in the film, a titanium white light reflecting layer, a carbon black opaque layer, a releaser for the cyan dye, an emulsion sensitive ...
The film may be soaked in water to swell the gelatin layer, facilitating the action of the subsequent chemical treatments. The developer converts the latent image to macroscopic particles of metallic silver. [3] A stop bath, [a] typically a dilute solution of acetic acid or citric acid, halts the action of the developer.
Fuji's instant film products are based upon the improvements made to Polaroid's SX-70 instant film system that the Eastman Kodak Company sold in the 1970s and 1980s – namely the ability to expose the film through the rear of the photograph and the reversal of the dye layers' order so that development in the blue layer is visible first.
The film base can have an antihalation layer applied to it or be dyed. This layer prevents light from reflecting from within the film, increasing image quality. This also can make films exposable on only one side, as it prevents exposure from behind the film. This layer is bleached after development to make it clear, thus making the film ...
The Polaroid 600 series film, introduced in 1981, has the same film format and cartridge as that of the SX-70 but features a higher film speed at ISO 640. [18] The 2-stop difference in sensitivity can be compensated in an SX-70 by using a ND-filter or through circuit modifications that change the exposure time. [ 19 ]
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An anti-halation backing is a layer found in many photographic films—and almost all film intended for motion picture cameras—usually a coating on the back of the film base, though it is sometimes incorporated between the light-sensitive emulsion and the base. Its purpose is to absorb light that passes through the emulsion, thus preventing ...
“There's a spontaneity to instant film,” says Andrew Tess, a New York-based photographer and artist. “It's incredible to capture and create something tangible in a physical sense ...
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