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Gerard ter Borch (Dutch: [ˈɣeːrɑrt tɛr ˈbɔr(ə)x]; December 1617 – 8 December 1681), also known as Gerard Terburg (Dutch: [ˈɣeːrɑrt tɛrˈbʏr(ə)x]), was a Dutch Golden Age painter mainly of genre subjects. [1] He influenced his fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. [1]
Portrait of Gerard ter Borch by his son Moses. Gerard ter Borch (1583 in Zwolle – 1662 in Zwolle), was a Dutch Golden Age painter.. According to Arnold Houbraken, who referred to him as Gerard Terburg's father, he was a good painter who had spent many years in Rome and who was the first teacher of his better known son.
Borch, Gerard (I) ter (Zwolle 1583 – Zwolle 1662) Borch, Gerard (II) ter (Zwolle 1617 – Deventer 1681) Borch, Gesina ter (Zwolle 1633 – Deventer 1690) Borssom, Anthonie van (Amsterdam 1631 – Amsterdam 1677) Bosschaert, Abraham (Middelburg 1612 – Utrecht 1643) Bosschaert, Ambrosius (I) (Antwerp 1573 – The Hague 1621)
Ter Borch himself made a first change in the painting by changing the gender of the figure playing the harpsichord, who was originally a young man, to a woman. This is apparent in the X-ray examinations and can also be established on the basis of a faithful copy that the painter probably himself made, which now hangs in the Stedelijk Museum, in ...
The Letter is an oil on canvas painting by the Dutch artist Gerard ter Borch, created c. 1660-1665. The work is in the British Royal Collection. It was purchased by King George IV in 1814 from the collection of the British banker Sir Thomas Baring. Earlier, in 1805, it had been acquired by Baring's father, at a time when many Dutch paintings ...
A Woman Playing the Theorbo-Lute and a Cavalier is an oil on wood painting by Dutch artist Gerard ter Borch the Younger, created c. 1658. The work depicts a young woman playing a theorbo while her lover looks on. The painting is in the collection of the Metropolitan Museum of Art, in New York. [1]
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The theme of men and women reading or writing letters was very popular amongst Dutch artists in the third quarter of the 17th century. The theme recurs amongst the works of Johannes Vermeer, Gabriël Metsu and, in particular, Gerard ter Borch. Due in part to the 'Great age of letter writing', the act of writing and thus reading a letter was ...