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"Seasons of Love" is a song from the 1996 Broadway musical Rent, written and composed by Jonathan Larson. The song starts with an ostinato piano motif, which provides the harmonic framework for the cast to sing "Five hundred twenty-five thousand, six hundred minutes" (the number of minutes in a common year ).
And that song I made up on the spur of the moment. I mean, it sounds a bit like it, to be honest. I went on for 11 minutes originally and I was just making up lines. You know, the funniest lines I could come up with. You can go on forever - 'Some girls like to do this, some girls like to do that.'
"Same Old Lang Syne" is a song written and recorded by Dan Fogelberg and released as a single in 1980. It was included on his 1981 album The Innocent Age.The song is an autobiographical narrative ballad told in the first person and tells the story of two long-ago romantic interests meeting by chance in a grocery store on Christmas Eve. [3]
Seger objected to Marsh's accusation of misogyny stating "My God, I don't hate women. I'm for women standing up." [8] Seger went on to state that he used the sexist sounding chorus because he liked the way the sound of the word "strut" worked in the song and that he attempted to counter any sexist connotations in the verses, saying: [8]
The song's lack of success on the charts has been attributed to the content of the song, which is seen as fetishizing bisexuality for the male gaze, a theme that was also used in the criticized song "Both Ways" by former One Direction member Liam Payne.
"Spring Affair" is a song by American singer and songwriter Donna Summer from her 1976 album Four Seasons of Love. The song (which represents the "spring" phase of the concept album) tells of the beginning of a new relationship. "Spring Affair" is more than eight minutes long, though it was edited for release as a single.
The lyrics perfectly capture how, after a long day, sometimes all you want to do is binge a documentary about a serial killer. Chloe Fineman gets ready for a night of watching true crime.
"Girls in the Hood" was met with moderate praise from music critics. Pitchfork gave "Girls in the Hood" the title of "Best New Track", with Sheldon Pearce remarking that the song repurposes the misogynoir of "Boyz-n-the-Hood" "for those it disenfranchised", adding, "It feels like Megan is leading a revolt of the women mistreated in rap songs."