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The English word rondo comes from the Italian form of the French rondeau, which means "a little round". [3] Today the word rondo is widely used in the English language to refer to any musical work, vocal or instrumental, containing a principal theme which alternates with one or more contrasting themes.
The simplest kind of sonata rondo form is a sonata form that repeats the opening material in the tonic at the end of the exposition and recapitulation sections. [A B' A] exp [C"] dev [A B A] recap By adding in these extra appearances of A, the form reads off as AB'AC"ABA , hence the alternation of A with "other" material that characterizes the ...
A rondeau (French:; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.
In summary, genre is a broader term and often refers to the overall style, structure, cultural context, or purpose of the music. For example, a rondo is based on alternation between familiar and novel sections (e.g. ABACA structure); a mazurka is defined by its distinctive meter and rhythm; a nocturne is based on the mood it creates, required ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
The first of the three rondos was composed in 1916, together with many other compositions based on Hungarian and Romanian folk songs. Bartók composed the rondo while he was collecting folk tunes from Hungary and surrounding areas.
Strophic form – song structure in which all verses or stanzas of the text are sung to the same music. Rondo form – contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or "couplets". Some possible ...
The work follows the common A–B–A–C–A pattern characteristic of the rondo form; "A" is a returning theme and "B" and "C" are episodes. "A" is in A minor (the key of the piece), "B" is in F major, and "C" is in A major. Following the last appearance of "A" there is a coda that draws on the music for A as well as a minor key version of C.