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Horse_head,_rough_incuse.jpg (600 × 339 pixels, file size: 82 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The horse motif was the first image to be engraved. Later, vertical lines are overlain across the body and in front of the horse. The overall effect creates an impression of a palisade, fence or even falling spears. If this is the case, we might be seeing a scene in which horses are guided by a wooden structure—maybe for hunting purposes.
William Wallace Denslow's illustrations for a variant of Ride a cock horse, from a 1901 edition of Mother Goose. A hobby horse (or hobby-horse) is a child's toy horse. Children played at riding a wooden hobby horse made of a straight stick with a small horse's head (of wood or stuffed fabric), and perhaps reins, attached to one end.
Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings.
Chufin cave (Spain) – small cave with engravings, stick figures, and artwork schematically portraying red deer, goats and cattle. Côa Valley (Portugal) – artists engraved thousands of drawings of horses and other animal, human and abstract figures in open-air artwork completed 22,000 to 10,000 years ago.
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
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Head of the horse of Selene, which inspired Fiddian-Green, with the Elgin Marbles in the British Museum. Born in Ireland, [3] Fiddian-Green was educated at Eton College.Later, as a foundation-course student at Chelsea College of Arts he was sent on a visit to the British Museum to seek inspiration, [2] and chanced upon a carving of horse's head, the horse of Selene, [4] in the Elgin Marbles ...
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