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The bustier can also be worn as a half-slip under sheer upper garments if a bold display of the midriff is not desired. [1] A bustier resembles a basque, but it is shorter. It reaches down only to the ribs or waist. Modern bustiers are often made with mesh panels rather than the traditional boning.
Corsets were an essential undergarment in European women's fashion from the 17th century to the early 20th century. In the 17th and 18th centuries they were commonly known as "stays" and had a more conical shape. This later evolved into the curvaceous 19th century form which is commonly associated with the corset today.
Front Claps for corsets. A busk (also spelled busque) is a rigid element of a corset at the centre front of the garment. [1] Two types exist, one- and two-part busks. [2]Single-piece busks were used in "stays" and bodices from the sixteenth to early nineteenth centuries and were intended to keep the front of the corset or bodice straight and upright.
Woman's stays c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5. [1]The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets.
A short corselet without garters or shoulder straps, which ends above the waist, is a bustier (covering the bust) A long corselet extending over the hips, with or without garters and/or shoulder straps, is a torsolette (covering the torso) A corselet in two parts is a brassiere and a girdle.
This page was last edited on 28 November 2019, at 08:47 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The earliest corsets had a wooden busk placed down the center fronts of the corsets; these early busks were different from the more modern steel busks which have clasps to facilitate opening and closing the corset from the front. Corsets of the 17th and 18th centuries were most often heavily boned, with little or no space between the bone channels.
When corsets became unfashionable, brassières and padding helped to project, display and emphasize the breasts. In 1893, New Yorker Marie Tucek was granted a patent for a "breast supporter", described as a modification of the corset, and was very similar to a modern push-up bra designed to support the breasts.
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