Search results
Results from the WOW.Com Content Network
An end-stopped line is a feature in poetry in which the syntactic unit (phrase, clause, or sentence) corresponds in length to the line. Its opposite is enjambment , where the sentence runs on into the next line.
Originally, the bad quarto theory was generally accepted by scholars. First suggested by Samuel Johnson in the original edition of The Plays of William Shakespeare (1765), it remained the predominant theory until challenged by Edmond Malone in The Plays and Poems of William Shakespeare (1790), favouring the early draft theory. In 1929, Peter ...
An anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. The Phoenix and the Turtle: 1601 A Lover's Complaint: 1609 Shakespeare's Sonnets: 1609 A Funeral Elegy: 1612 No longer attributed to Shakespeare by most ...
The occasional end-stopped line may evoke a sense of finale or formality while many end-stops in a row may be used to evoke a jerky cadence. On the contrary, a lack of punctuation allows the reader to interpret the sequence of words in various ways.
Romeo and Juliet fight time to make their love last forever. In the end, the only way they seem to defeat time is through a death that makes them immortal through art. [65] Time is also connected to the theme of light and dark. In Shakespeare's day, plays were most often performed at noon or in the afternoon in broad daylight.
The first page of All's Well, that Ends Well from the First Folio of Shakespeare's plays, published in 1623. All's Well That Ends Well is a play by William Shakespeare, published in the First Folio in 1623, where it is listed among the comedies. There is a debate regarding the dating of the composition of the play, with possible dates ranging ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.