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The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
Additionally, they collaborate, play, and share resources. When cats communicate with humans, they do so to get what they need or want, such as food, water, attention, or play. As such, cat communication methods have been significantly altered by domestication. [1] Studies have shown that domestic cats tend to meow much more than feral cats. [2]
The song was written and first recorded on Atlantic Records' subsidiary label Cat Records by the R&B group the Chords on March 15, 1954, [4] and would be their only hit song. The group reportedly auditioned the song for famed record producer Bobby Robinson while he was sick in bed, but he rejected them, stating the song "wasn't commercial ...
"Cat's in the Cradle" is a folk rock song by American singer-songwriter Harry Chapin, from his fourth studio album, Verities & Balderdash (1974). The single topped the US Billboard Hot 100 in December 1974. As Chapin's only number-one song, it became the best known of his work and a staple for folk rock music.
Barbershop arrangements stress chords and chord progressions that favor "ringing", at the expense of suspended and diminished chords and other harmonic vocabulary of the ragtime and jazz forms. The dominant seventh-type chord is so important to barbershop harmony that it is called the "barbershop seventh".
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Grizabella is, at the time of her appearance, a very old and mangy cat, withered to the point that she no longer resembles the glamorous cat of her youth. Having left the Jellicle tribe a long time ago, she is now all alone and left with only the memories of her happier days. She returns to the tribe seeking re-acceptance, but her fellow ...
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1 ]