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As with the 122 and 142, the 145 is identical to the 147, except that it is housed in a 33-inch (840 mm) cabinet, and thus slightly easier to move. [34] As with the 122, Hammond-Suzuki manufactures a modern replacement, the 147A. [35] The model X-77, released in 1968, was designed to accompany Hammond's new tonewheel / transistor organ, the X-66.
Korg CX-3 (1980) According to journalist Gordon Reid, it "came close to emulating the true depth and passion of a vintage Hammond." [1]Transporting the heavy Hammond organ, bass pedalboard (a B-3 organ, bench and pedalboard weighs 425 pounds/193 kg) and Leslie speaker cabinets to performance venues makes it cumbersome for artists to tour with a vintage electromechanical organ.
A cross-section showing the inner workings of a Leslie speaker cabinet "Tomorrow Never Knows" was the first song attempted during the sessions for Revolver , [ 40 ] which started at 8 pm on 6 April 1966, [ 41 ] in Studio 3 at EMI Studios (subsequently Abbey Road Studios ). [ 14 ]
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Donald James Leslie (April 13, 1911 – September 2, 2004) was an American inventor best known for the Leslie speaker and its distinctive effect commonly used with the Hammond organ which helped popularize electronic instruments.
The band's sound and presentation tended to lump them into an avant garde category shared by other "noise-oriented" bands who may or may not have shared Morsel's instrumental abilities. Hussey revealed in the Moo interview that “Miriam runs her flute through a ‘Leslie’ cabinet (rotating horn), and she sings through her flute microphone.
Danger music is an experimental form of avant-garde 20th- and 21st-century music and performance art. It is based on the concept that some pieces of music can or will harm either the listener or the performer, understanding that the piece in question may or may not be performed. [ 2 ]
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